Tuesday, 27 November 2012

Audience Research

As a minor adjustment, we have decided to not use the "skinhead" costume idea for Lucas' character as it was too complicated and expensive for us to attain a good costume in such a style. However, we have decided to go for a basic suit: blazer, trousers and shirt, of a mainly grey or black colour. This would have a modern effect, and could replicate some of the retro appeal, as well as suiting some of the hipster/indie fashion sensibilities.

Tuesday, 20 November 2012

Captain's Log - 20/11

In today's lesson, I finished my task which I started in the last lesson, summing up costuming ideas for the two main characters. I used the website Pinterest to gather 5 similar ideas for the costumes for each character.

Costuming

Costume Ideas Pinterest Board

For the character of Lucas, we were intending to create a thug/delinquent look. Instead of defaulting to a a stereotypical "chav" character, we played with the idea of either a "biker" leather jacket-style look or a skinhead style. While we originally intended to go for a skinhead look, believing it to be very visually unique, it proved difficult to actually obtain the clothes required to make the outfit. Instead, based on the clothes which the actor had, we decided to have the character of Lucas wear a suit. This does play up the vaguely noir tones used in the voiceover and which we wish to demonstrate in the cinematography. It does give the character of Lucas a more confusing interpretation by the audience, but we hope that that will work in our favour by confusing the possible, and unknown, reasons for the conflict between the two characters.




Wesley's clothing is going to be much more casual, ordinary clothes than Lucas. This ensures that he will fit into no particular group and will be generally more relatable as a character, as well as being much less visually unique than Lucas, creating a duller character from the beginning. We've opted for a t shirt, leather jacket and jeans, which is quite a timeless "look" as well as being relatively generic.








Friday, 16 November 2012

Captain's Log - 16/11

Over the last few lessons, I have been writing a shooting script for the scenes storyboarded by Ed. Not all of the scenes are storyboarded however, mainly due to the repetitive nature of the pier scenes, which do not call for a storyboard or shooting script because they are formulaic and almost identical to the others.

Shooting Script for Storyboarded Scenes

Shots
Shot Description
Audio and Dialogue
1
EXT. Pier
LS – Lucas and Wesley facing each other
Limited diegetic. Music.
2
LS – Lucas getting punched. Track around car in the foreground to show Wesley on the ground.
Punch effect.
3
CU – Wesley lying down, camera spirals up.
Wesley VO “So much for taking the hit like a man”
4
LS  - Wesley stands up, spits blood. Camera follows his movements.
“Wasn’t expecting a hit like that.” Rustling of getting up.
5
CU – Wesley checking his face for bruises.

6
MS – Wesley straightens himself
“At least he’ll leave me alone now anyway.” Rising non-diegetic
7
LS – Wesley walks away
“At least he’ll leave me alone now anyway.”
8
EXT. Street
LS – Wesley walks along the street. Camera pans down from the sky.
“You know, when something happens and you make your choices, and then you mull it over, and make different choices?” “That’s the benefit of hindsight.” “The French have their own phrase for it: l’esprit de l’escalier.” “My problem still had a punchline.”
9
CU – Wesley looks into the car wing mirror.
“Not too bad.” “Like it never happened.”
10
CU – Wesley walks up to camera. Camera pans up.
Music.
11
OTS – Wesley looks over at the hallucinations across the road.

12
EXT. Pier
LS – Wesley and Lucas stare at each other, begin fighting.
Fighting sounds.
13
CU – The two fight. Wesley runs down the pier. Camera tracks.
Fighting sounds.
14
LS – Wesley continues to run. Original shot of pier.
Fighting sounds.
15
EXT. Street
MS – Wesley crouches, hiding.
Street sounds.
16
CU – Lucas stops and sees Wesley. Camera pans up.
Street sounds
17
EXT. Street
LS – Wesley walks past the original street, sees where he crouched down
Voiceover. “Maybe running wouldn’t be so good an idea…”
18
EXT. Pier
Original pier shot, two face off.
Non-diegetic music comes in subtly
19
OTS – Lucas throws a punch, Wesley blocks and returns a punch.
Fighting sounds. Building music.
20
OTS – Wesley follows through with the punch. Lucas falls down.
Fighting sounds. Building music.
21
Long shot/OTS – Real Wesley watches from a distance. Camera tracks slowly. The imagined Wesley pulls out a phone.
Distant fighting.
22
CU – Phone drops by Lucas’ body. Zoom in to show the number dialed.
Phone dropping. Ringing.
23
EXT.
OTS – Camera following Wesley as he walks along the street
“I’m sure we could have worked something out.
24
OTS – Behind crossing.
“Like stopping a train by asking nicely”
25
EXT. Pier
Lucas arguing on the phone and throwing his phone into the sea.
Music. Seaside sounds. Fighting.
26
EXT. Street
ECU – Shot of mirror, Wesley approaching.
Walking.
27
ECU – Wesley picking up glass, drops it
Glass smash on floor.
28
CU – Wesley putting his finger to his mouth and sucking.
Sucking sound.


Film continues...

Wednesday, 7 November 2012

Script


EXT. PIER - EARLY EVENING - REAL

Two male teenagers face each other, WESLEY and LUCAS. Wesley looks intimidated and is clearly inferior.  Lucas raises a fist. Hits Wesley. He falls.

Wesley lies, face down, on the ground. Lucas walks away, into the distance.

WESLEY (V.O.)

So much for taking the hit like a man...

Wesley places his hands on the ground and pushes up, lifting himself. He pulls his knees up and kneels, leaning back on his legs. He puts his hands to his face, checking for blood or bruises. He picks himself up and takes a few stumbling steps. He bends double and spits blood from his mouth.

WESLEY (V.O.)

Wasn't expecting a hit like that.

Wesley straightens himself up.

WESLEY (V.O.)

At least he'll leave me alone from now on anyway.

He takes a few steps down the street, lapsing into a pace.

WESLEY (V.O.)

Hopefully..

EXT. STREET 2 - REAL

Wesley walks along the street, looking around for any people walking by.

WESLEY (V.O.)

You know, when something happens and you make your choices, and then you mull it over, and make different choices?

The road is lined with parked cars. Wesley walks towards one.

WESLEY (V.O.)

That's the benefit of hindsight.

WESLEY (V.O)

The French have their own phrase for it: l'esprit de l'escalier. That's more for jokes.

He bends down and leans in close to the car's side door.

WESLEY (V.O.)

My problem still had a punchline.

He looks into the wing mirror, and touches his face, again checking for cuts and bruises.

WESLEY

Not too bad.

He picks himself up and starts walking off.

WESLEY

Like it never happened...

Across the street, he sees two male teenagers, staring each other down. Himself and Lucas.

EXT. PIER - IMAGINED

Two male teenagers face each other, WESLEY and LUCAS. Wesley looks intimidated and is clearly inferior.

Lucas steps forward and throws his punch. He slips on the wet ground of the pier. His punch falls short as Wesley quickly steps back. Lucas struggles to regain his balance. Wesley takes a second's hesitation before running off down the pier.

He turns back. Wesley has ran to the end of the pier. He isn't stopping.

EXT. STREET - IMAGINED

Wesley is hiding, crouched down beside the street. Lucas approaches and stares down at him.

EXT. STREET - REAL

Wesley stands still, staring at the place where he saw himself crouched down. Then, he turns off and walks away.

WESLEY

Maybe running wouldn't be so good an idea.

EXT.

WESLEY

There's the regular solution to a fight.

WESLEY

Hit first.

WESLEY

Supposed to let them know who you are, what they're dealing.

WESLEY

I think Lucas already knew.

WESLEY

It would have been worth a try.

WESLEY

Second chances are never worth much.

EXT. PIER

Two male teenagers face each other, WESLEY and LUCAS. Wesley looks intimidated and is clearly inferior.

Lucas steps forward, clenching a fist. Wesley's hand darts up to his face. Wesley steps back, almost in shock at his own movement. Lucas drops immediately. He lies, motionless on the ground.

EXT. STREET - REAL

Wesley watches this scene unfold. He sees the imagined version of himself pull out a phone, dial 999 and drop it beside Lucas' body.

The real Wesley watches, and solemnly walks away.

EXT.

Wesley walks along a road.

WESLEY (V.O.)

I'm sure we could have worked something out.

WESLEY (V.O.)

Like stopping a train by asking nicely.

A man runs across the road towards Wesley.

MAN

Can I get a light?

WESLEY

Sorry mate?

The man looks concerned and touches his face as a mirror suggestion.

MAN

You alright?

WESLEY

I'm fine.

WESLEY (V.O.)

Something says I got off easy the way things went.

EXT. PIER - IMAGINED

Two male teenagers face each other, WESLEY and LUCAS. Wesley looks intimidated and is clearly inferior.

Wesley raises his hands up. He says something. He begs. Lucas steps forward and throws a punch. Wesley hits the floor. Lucas follows up with a kick to the stomach.

Wesley lies, face down, on the ground. Lucas walks away, into the distance. Wesley struggles to breathe.

EXT. STREET - REAL

Wesley sits down, leaning heavily forward, elbows resting on his knees. He stares out across the street.

WESLEY (V.O.)

Problem solved, you think.

WESLEY

Take a hit, be a martyr, and it's end of the story.

WESLEY

Every story's got an epilogue.

WESLEY

The hit's got consequences, reverberations.

WESLEY

Doesn't everything?

EXT. PIER

Two male teenagers face each other, WESLEY and LUCAS. Wesley looks intimidated and is clearly inferior.

Lucas steps forward, priming a punch. Wesley hesitates, a look of fear spreads across his face in an instant. He throws his hand out. It connects with Lucas' stomach. He backs away, coughing and panting, gasping for breath.

Wesley holds his hands up and begins to talk. Lucas still struggles to breathe. Wesley's mouth moves quickly, he steps back.  Lucas finally straightens up. He moves to throw a punch but pulls back at the last second. He laughs hugely, and walks away.

EXT. ROCK ROAD

Wesley walks by, turning off the street onto a small path across to the multi-story car pack.

He looks around, and then drops down to sit on the steps. He huddles up and pulls his jacket tight around him.

WESLEY

Talking about stories, I wonder what his was.

WESLEY

Troubled young man like that.

WESLEY

Makes you think really.

As his hands pass by his jacket, he notices the bulk of the phone pressing out.

WESLEY

I'm glad he got to work out his frustrations on my face.

He slides his hand into the pocket and pulls out his phone.

WESLEY

I'll just think of it as charity.

He stares at the phone, but doesn't press any buttons, staring at the reflection in the black screen.

EXT. PIER - IMAGINED

Two male teenagers face each other, WESLEY and LUCAS. Wesley looks intimidated and is clearly inferior.

Lucas steps forward and raises a fist. He pauses. A phone rings in his pocket. His hand dives down into his pocket. He turns away from Wesley and raises the phone to his ear. His face drops.

He talks on the phone and gets visibly aggravated. He starts gesturing wildly. Wesley simply stands and watches. Lucas shouts into the phone and then throws it into the water.

EXT. STREET

Wesley walks by.

He notices a piece of a broken mirror lying on the ground.

He picks it up, rotating it into his hand, watching the reflection shift.

It slips slightly in his hands and he throws it down to the floor. He looks, and sees a cut across his finger.

He puts the finger to his mouth and sucks at it, a pained expression on his mouth. He sees the imaginary shades of him and Lucas again.

EXT. PIER - IMAGINED

Two male teenagers face each other, WESLEY and LUCAS. Wesley looks intimidated and is clearly inferior.

Lucas raises a fist and hits Wesley. Wesley shakes under the force of the blow, but stands his ground. He returns a punch of his own. Lucas grabs him, and throws him to the ground. He pins him down, and they tussle, flailing fists at each other. Wesley pushes him away slightly, lifts his legs up to press his feet against Lucas' chest and kicks off.

Lucas stumbles back onto his feet. Wesley picks himself up. They stand there, facing each other down. Lucas turns, and walks off and Wesley straightens himself out.

EXT. STREET - IMAGINED

Wesley stumbles along the street. He is still beaten and battered from his fight with Lucas. He stiffens, as if he has heard something. He whips around and sees Lucas, standing menacingly, cricket bat in his hand. Wesley, without hesitation, sprints away.

They run through several streets, before coming to the same street where the real Wesley had picked up the broken mirror. He sees him, standing there.

EXT. STREET - REAL

Wesley stands still as the two apparitions sprint past him. He continues to stand still, even as they run into the distance.

WESLEY (V.O)

Definitely should have done something.

Tuesday, 6 November 2012

Captain's Log 6/11

Over the half term, I managed to complete the script, which Ed used to complete the storyboards. I now need to do the shooting script, a fairly simple task, as it only requires putting the script in a different format and adding additional details on precise actor movement and shot types and camera movements. I also finally need to consolidate the research I have done on visual motifs and voiceovers. Once the technical issues are dealt with, it would be easy to complete these tasks.