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Shots
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Shot Description
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Audio and Dialogue
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1
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EXT. Pier
LS – Lucas and Wesley facing each other
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Limited diegetic. Music.
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2
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LS – Lucas getting punched. Track around car in the foreground to
show Wesley on the ground.
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Punch effect.
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3
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CU – Wesley lying down, camera spirals up.
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Wesley VO “So much for taking the hit like a man”
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4
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LS - Wesley stands
up, spits blood. Camera follows his movements.
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“Wasn’t expecting a hit like that.” Rustling of getting up.
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5
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CU – Wesley checking his face for bruises.
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|
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6
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MS – Wesley straightens himself
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“At least he’ll leave me alone now anyway.” Rising non-diegetic
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7
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LS – Wesley walks away
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“At least he’ll leave me alone now anyway.”
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8
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EXT. Street
LS – Wesley walks along the street. Camera pans down from the sky.
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“You know, when something happens and you make your choices, and
then you mull it over, and make different choices?” “That’s the benefit of
hindsight.” “The French have their own phrase for it: l’esprit de
l’escalier.” “My problem still had a punchline.”
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9
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CU – Wesley looks into the car wing mirror.
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“Not too bad.” “Like it never happened.”
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10
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CU – Wesley walks up to camera. Camera pans up.
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Music.
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11
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OTS – Wesley looks over at the hallucinations across the road.
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|
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12
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EXT. Pier
LS – Wesley and Lucas stare at each other, begin fighting.
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Fighting sounds.
|
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13
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CU – The two fight. Wesley runs down the pier. Camera tracks.
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Fighting sounds.
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14
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LS – Wesley continues to run. Original shot of pier.
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Fighting sounds.
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15
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EXT. Street
MS – Wesley crouches, hiding.
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Street sounds.
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16
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CU – Lucas stops and sees Wesley. Camera pans up.
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Street sounds
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17
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EXT. Street
LS – Wesley walks past the original street, sees where he crouched
down
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Voiceover. “Maybe running wouldn’t be so good an idea…”
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18
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EXT. Pier
Original pier shot, two face off.
|
Non-diegetic music comes in subtly
|
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19
|
OTS – Lucas throws a punch, Wesley blocks and returns a punch.
|
Fighting sounds. Building music.
|
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20
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OTS – Wesley follows through with the punch. Lucas falls down.
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Fighting sounds. Building music.
|
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21
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Long shot/OTS – Real Wesley watches from a distance. Camera tracks
slowly. The imagined Wesley pulls out a phone.
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Distant fighting.
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22
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CU – Phone drops by Lucas’ body. Zoom in to show the number
dialed.
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Phone dropping. Ringing.
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23
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EXT.
OTS – Camera following Wesley as he walks along the street
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“I’m sure we could have worked something out.
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24
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OTS – Behind crossing.
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“Like stopping a train by asking nicely”
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25
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EXT. Pier
Lucas arguing on the phone and throwing his phone into the sea.
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Music. Seaside sounds. Fighting.
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26
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EXT. Street
ECU – Shot of mirror, Wesley approaching.
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Walking.
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27
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ECU – Wesley picking up glass, drops it
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Glass smash on floor.
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28
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CU – Wesley putting his finger to his mouth and sucking.
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Sucking sound.
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Film continues...
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Friday, 16 November 2012
Shooting Script for Storyboarded Scenes
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